10 Things that are keeping me up at night

Trump won’t last forever. But who/what comes next?

Will the economy actually implode, making my savings worthless and forcing me to un-retire and get a job delivering chicken wings to Bitcoin billionaires? 

And if so, what if drones are already delivering the wings?

Have I already seen my last movie in a movie theater?

50 years from now will the Gaza Strip still be an open-air concentration camp?

Why has Kim Jong-Un been so quiet lately?

Ukraine, Sudan

Is Brie going away forever?

Should I have fish for dinner tomorrow because I’ll live longer and better or should I eat a bratwurst because let’s face it I’m gonna go sooner or later anyway and it’s a solid fact that I would really really enjoy a grilled brat with kraut, mustard, and onions and a foaming stein of beer right now.

Is my legacy to the world going to be a few cutesy lists like this?

Tortilla Man: A Memory of Pre-“Woke” Texas

Sometime in the early 1970’s my mother took me to a show put on by the drama department at North Texas State University (now the University of North Texas) in Denton. It was a “Story of Texas” type revue, a collection of skits that were supposed to entertain and educate the audience about the history of our state. I would have been maybe 12 years old.

The show was a forgettable affair. But there was one skit that I recall, and if it weren’t for that skit, I’m sure I would have forgotten the show entirely. A young Latino student in a resplendent mariachi costume delivered a one- or two-minute-long monologue on “the tortilla.” It was meant to celebrate the ingenuity of the Mexican people.

(For the record, what is now the state of Texas was for several hundred years a part of the Spanish colonial empire, and then, after the Mexican war of independence, a part of the republic of Mexico. It was taken over after a revolt led largely by North American settlers who were motivated by a desire to expand slavery into the territory, at a time when slavery was already outlawed in Mexico.)

I remember this particular part of the show for two reasons. Firstly, it was easily the best bit. It was short, lively, and funny (punchline: “You don’t need knives and forks, and when you’re finished, you eat the plate!”), a polished performance by an enthusiastic performer. When it ended the audience gave it resounding applause.

But I think I also remember it for another reason. Even at that age I vaguely understood that something very wrong was going on.

The memory of that routine has haunted me over the years. Now, I imagine the decision to include that skit as being made by a couple of faculty members. The discussion was something like this:

Drama professor 1: You know, this show is about Texas history and culture. I was thinking maybe we should include something about the Mexicans.

Drama professor 2: Yeah, they play such a vital role!

DP1: Maybe something about food…

DP2: That’s a great idea! Everybody loves Mexican food! How about…a tribute to the tortilla?

DP1: Yes, aren’t tortillas great?!

DP2: And I just realized, that will give [insert name of Latino drama student here] something to do! I was wondering how we were going to fit him in….

The wildly enthusiastic applause this skit received also has a dark side in my imagination. I think it was tinged with relief. Here was the audience’s opportunity to show that it respected the Mexican people and appreciated their contributions to our great state, without acknowledging any of the awful, unjust atrocities inflicted on Mexican communities after the Texas revolution and eventual annexation of Texas.

Like everyone of my generation there are aspects of pre-Internet, pre-Governor Bush Texas that I am nostalgic for (like Ann Richards). But the pre-“woke” racism, even, or especially, the condescending, self-satisfied kind, is not one of them.

In Which I Study Someone’s Beautiful Ass in Service of My Art

I’ve been trying to master the the graphic arts over the past few months. Recently my brother, the novelist Jonathan Eaton, sent me a photograph of a philosophical-looking donkey, in a pasture bordered by mesquite trees, he saw on a trip to north Texas. I decided to practice my skills, such as they are, in different media, by drawing and painting the fellow.

I used oil pastels for the first attempt. Not successful in my opinion. The colors are gorgeous (a big reason I like the pastels) but details are clumsy or absent. The ear shadow across the animal’s muzzle is ham-handed.

Next I tried the same thing in colored pencil. The medium lends itself to conveying the animal’s hairy, fuzzy qualities. Several problems, though: the colors appear bland and washed out. Also, though I began with a graphite pencil sketch that I thought looked pretty good, now I see that the upper half of the donkey’s head is elongated. From a distance it looks more like a wild boar. But I can’t erase and rework colored pencil.

Next I decided to try something new for me: on outline in felt-tip pen filled in with watercolor:

Ok, now I feel like I’m getting somewhere. The sky is unintentionally blotchy (I’m still having problems with my washes). Also I have a better feel now for the shape of the creature’s head.

What’s next…charcoal? I think I could do a great pencil sketch of this fellow. Nah…I have stared at this ass for long enough already.